Melody based tune retrieval over the World Wide Web

In this paper we describe the steps taken to develop a Web-based version of an existing stand-alone, single-user digital library application for melodical searching of a collection of music. For the three key components: input, searching, and output, we assess the suitability of various Web-based strategies that deal with the now distributed software architecture and explain the decisions we made. The resulting melody indexing service, known as MELDEX, has been in operation for one year, and the feed-back we have received has been favorable

Managing complexity in a distributed digital library

As the capabilities of distributed digital libraries increase, managing organizational and software complexity becomes a key issue. How can collections and indexes be updated without impacting queries currently in progress? How can the system handle several user-interface clients for the same collections? Computer science professors and lectors from the University of Waikato have developed a software structure that successfully manages this complexity in the New Zealand Digital Library. This digital library has been a success in managing organizational and software complexity. The researchers' primary goal has been to minimize the effort required to keep the system operational and yet continue to expand its offerings

A sight-singing tutor

This paper describes a computer program designed to aid its users in learning to sight-sing. Sight-singing-the ability to sing music from a score without prior study-is an important skill for musicians and holds a central place in most university music curricula. Its importance to vocalists is obvious; it is also an important skill for instrumentalists and conductors because it develops the aural imagination necessary to judge how the music should sound, when played (Benward and Carr 1991). Furthermore, it is an important skill for amateur musicians, who can save a great deal of rehearsal time through an ability to sing music at sight

Melody transcription for interactive applications

A melody transcription system has been developed to support interactive music applications. The system accepts monophonic voice input ranging from F2 (87 HZ) to G5 (784 HZ) and tracks the frequency, displaying the result in common music notation. Notes are segmented using adaptive thresholds operating on the signal's amplitude; users are required to separate notes using a stop consonant. The frequency resolution of the system is ±4 cents. Frequencies are internally represented by their distance in cents above MIDI note 0 (8.176 Hz); this allows accurate musical pitch labeling when a note is slightly sharp or flat, and supports a simple method of dynamically adapting the system's tuning to the user's singing. The system was evaluated by transcribing 100 recorded melodies-10 tunes, each sung by 5 male and 5 female singers-comprising approximately 5000 notes. The test data was transcribed in 2.8% of recorded time. Transcription error was 11.4%, with incorrect note segmentation accounting for virtually all errors. Error rate was highly dependent on the singer, with one group of four singers having error rates ranging from 3% to 5%, error over the remaining 6 singers ranged from 11% to 23%

Signal processing for melody transcription

MT is a melody transcription system that accepts acoustic input, typically sung by the user, and displays it in standard music notation. It tracks the pitch of the input and segments the pitch stream into musical notes, which are labelled by their pitches relative to a reference frequency that adapts to the userÕs tuning. This paper describes the signal processing operations involved, and discusses two applications that have been prototyped: a sightsinging tutor and a scheme for acoustically indexing a melody database